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Culture and Crisis
Matthew Arnolds poetry admirably exemplifies that vein of wistful yet profoundly ambivalent regret for a lost spiritual certitude which pervades so much of high Victorian literature and cultural debate. In both his prose and his poetry, Arnold displayed an almost sensuous preoccupation with religious doubt as indeed did so many of his Oxford contemporaries. From a wholly different perspective, Mallocks satire, The New Republic, offers some flavour of how others, much less sympathetic to the fashionable expression of religious doubt, perceived the debate at the time, and there is value in briefly examining how Mallock mockingly transmits the views expressed by four of the books leading protagonists: Dr Jenkinson (Benjamin Jowett), Mr Stockton (John Tyndall), Mr Luke (Matthew Arnold) and Mr Herbert (John Ruskin).1 Deniers and doubtersJowett (not a man to be abashed by incongruities2) is represented as delivering a sermon to the imaginary weekend party, in the course of which he presents the Platonic dualism of mind and matter (and thus the schism between the spiritual and the natural) as a prelude to the Aristotelian reconciliation of those polarities.3 Fear, despite being an evil, is the beginning both of wisdom and virtue, and is central, contends Jowett, to Christianity (whatever others may suggest to the contrary): The human race, as soon as it became human, feared God before it loved Him. Its fear, as the Scripture puts it, was the beginning of wisdom; or as modern thought has put it, in slightly different words, the love of justice sprang out of the fear of suffering injustice. Thus the end is different from the beginning, and yet springs out of it. Ethics, as has been well said, are the finest fruits of humanity, but they are not its roots. Our reverence for truth, all our sacred family ties, and the purest and most exalted forms of matrimonial attachment, have each their respective origins in self-interest, self-preservation, and animal appetite.4 Jowett (as Jenkinson) argues further that a mistaken notion of our personal dignity and relation to God has been a stumbling-block for many in the way of their acceptance of modern scientific discoveries, including evolution; and, in a neatly barbed shaft aimed at the ineradicable sexism which imbued all Victorian thinking, he (or rather Mallock) adds:
The principle of moral evolution, similarly, is both Christian and scientific in its essence; and it is to be expected that Christianity itself should be systematically interpreted and explained in scientific terms:
Mallock has Jowett interpret the history of Christianity, in evolutionary terms, as a slow and painful process of progressive development and revelation, wherein outworn notions and beliefs are eventually to be willingly and cheerfully discarded, for
Creeds are outworn ecclesiastical constructs which nevertheless have served as schoolmasters to bring men to God. Even the Thirty-nine Articles, which seem, humanly speaking to serve no good end at all, should be suffered temporarily as part of Gods inexplicable plan8 and, as if to emphasise his satirical argument that all human error is divinely ordained, the sermon ends with the words:
Mischievous as it was intended to be, Mallocks caricature is by no means a grossly unfair or unduly distorted picture of Jowetts somewhat verbose and not always consistent argument as set out in Essays and Reviews, though it completely fails to do justice, of course, to his personal sincerity. As Peter Hinchliff has noted, Jowetts awareness of German critical scholarship was relatively limited, if not out of date;10 yet he deserves credit for having brought what were then such novel hermeneutical issues before the English-speaking world in 1860. The whole essay (much longer than any other contribution to Essays and Reviews) was a methodical and resolute attempt to draw theology, by a process of common-sense reasoning, into harmony with the findings of modern science.11 Many of the views expressed must have influenced the young Robertson Smith, albeit indirectly and in some respects subliminally: for example, Jowetts careful distinction between the meaning of Scripture as opposed to its inspiration;12 his low opinion of contemporary apologetics;13 his denunciation of the prevalent sermonising tendency to find, everywhere in the Old Testament, hidden references to the New;14 and his impatience with the ostrich-like denial by the orthodox of the manifest contradictions and interpretative difficulties which existed within the pages of Scripture.15 As in Smiths case, moreover (to quote Hinchliffs words):
Two of the lesser contributors to Essays and Reviews (Rowland Williams and Henry Wilson) were arraigned before the archaic Court of Arches and were convicted ecclesiastically on charges of heresy but acquitted on appeal to the Privy Council in 1864. Jowett himself escaped this particular indignity17 and went on to become the highly respected Master of Balliol College in 1870, despite attracting considerable obloquy from his more conservative fellow-ecclesiastics and academic peers, of whom Pusey was to prove the most persistent and virulent. Like his friend and supporter, A.P. Stanley, Jowett had been a pupil of Thomas Arnold and both, like their mentor, regarded the preservation of Christianity, liberated substantially of its vapid accretions, its spurious interpretations and its out-moded supernaturalism, as necessary for societys moral and ethical well-being.18 Already, so Jowett implied in his essay, much of theologys literalist doctrine and dogma had been overturned, and it would be futile to try to revivify them:
That was not an argument to which Robertson Smith ever consciously aligned himself, but he would have been much more sympathetic to Jowetts other principal (and very forward-looking) tenet:
Jowetts concluding words contain an admonitory message to would-be theologians which one may justly regard as prescriptive of the peculiar aptitude that only a Robertson Smith could bring to the task:
And he continues, in terms that were to prove aptly prophetic:
Ruskins aesthetic and strongly anti-materialist stance has already been exemplified in the account of his passages of arms with Tyndall, quoted from Fors Clavigera. Lightly disguised as Mr Herbert in The New Republic, Ruskin is made to deliver the concluding set piece of the book, a secular lecture which parallels the earlier Jowett sermon and which opens in terms that admirably characterise Ruskins literary style and public image:
The peroration is an impassioned and fervid denunciation of all his fellow-guests utopian ideas:
Universal education for the common man will only inspire discontent You will but be removing a cataract from his minds eye that he may stare aghast and piteous at his own poverty and nakedness while the self-gratifying theorisings in which he and his fellow-guests of the leisured classes have been engaged are simply illusory pastimes, diverting them from an awareness of the approaching Armageddon:
Doubter or denier, believer or atheist, all stand condemned:
Ruskins rhetoric, in Mallocks caricature, answers nothing: it simply represents an extreme example of romanticising and self-inflating individualism. Tyndall and Matthew Arnold26 play smaller rôles in the book but respectively typify the deniers and the doubters. John Tyndall (as Mr Stockton) is lampooned for stealing Arnolds (Mr Lukes) thunder by paying lip-service to Christian morality while undermining its dogmatic foundations:
Mallocks portrait of Mr Luke is an equally shrewd and wickedly observant representation of the magisterial figure of Matthew Arnold, whose elegiac yearning for a lost faith in Christian dogma so dominates and typifies mid-Victorian literature and whose voluminous writings sum up the widespread search for a reconstruction of Christianity which would preserve both its moral tenets and its beauty, while discarding the mythical framework that scientific discovery could no longer sanction.28 It took a considerable time for these tensions to disturb the Scottish scene. The British and Foreign Evangelical Review, the academic epitome of that spirit which Arnold described as The Dissidence of Dissent and the Protestantism of the Protestant religion,29 certainly vented its unmitigated fury upon Essays and Reviews in 1862, by which time the publication was already in its fifth edition:
The book (so the anonymous reviewer asserted) was no less than a manifesto of materialistic rationalism by a school of thought which, shamefully, was not English in tone or character but was akin rather to the writings of the French Encyclopaedists in its cultivation of a negative theology culled from the destructive theology of Germany and the precepts of Hegelian philosophy:31
Jowetts contribution, the writer acknowledges, is the best of the essays;33 hence it is (so the writer believes) all the more dangerous and damaging in its tendency to deprave and corrupt:
The essay by Mark Pattison is not so offensive in tone, and every way more English, yet nevertheless manages to insinuate, that the old apologetics in which our literature is so rich are out of date, and no more adequate to meet the wants of the present day.35 But it is Professor Jowett whom the reviewer undoubtedly regards as the most culpable of all seven writers for promulgating pantheistic views which contradict received doctrine on God, the Trinity and Sin, and which constitute in essence, open war against Christianity itself.36 Indeed, any heresy whatsoever which the writers have failed to voice explicitly is (so the distinctly paranoid reviewer asserts) merely a demonstration on their part of an ominous prevarication, of which the public have right and reason to complain.37 Of Jowetts principle, interpret the Scripture like any other book, the writer comments:
Since Jowetts precept, itself a distant echo of Erasmus,39 was destined, within a very few years, to be commended as a fundamental principle of biblical criticism by Professor A.B. Davidson to Robertson Smith and his fellow students at New College, there plainly existed, in Scotland, a fault line between contemporary critical scholarship and traditional doctrine that was capable of precipitating cataclysmic consequences, given a suitable conjunction of circumstances.40 And so it proved. Scotlands relative geographical isolation, coupled with the characteristically inward-looking preoccupations of both the Established Church and the Free Kirk, had helped maintain an attitude of broad and somewhat lofty detachment, if not indifference, towards ecclesiastical controversies south of the Border.41 Smiths protracted trial at the bar of the Free Church General Assembly may be seen, in retrospect, as a Scottish re-enactment, in yet more dramatic and internecine form, of the bitter confrontation between theological liberalism and conservatism which had been triggered within the Church of England by the publication of Essays and Reviews in 1860 and which was to be exacerbated by John William Colensos enormous and iconoclastic seven-part disquisition on the Pentateuch from 1862 to 1879.42 Sweetness and lightArnolds exceptional influence upon religious opinion may be said to originate with the publication in book form of Culture and Anarchy in 1869,43 reaching its peak in the 1870s with Literature and Dogma. The earlier book, memorable for its striking slogans and its application of cruelly apposite eponymns to the English class structure,44 is remarkable for its unwittingly prophetic insight into those same temperamental polarities within the Scottish Free Church which were to be so rawly exposed by the Robertson Smith affair seven years later. Culture and Anarchy carried the epigraph, estote ergo vos perfecti, betraying Arnolds deep admiration for the New Testament and at the same time signalling the theme of the whole book, which was to offer nothing less than a prescription for the salvation of the British race through a proper appreciation of Culture defined as the harmonious and properly proportioned admixture of those two fundamental determinants of the national character which Arnold chose to identify as Hellenism and Hebraism.45 Hellenism (as Tyndall would have wholeheartedly agreed) imparted sweetness and light to life, through the innate impulse to understand and the consequent exercise of the intellect; above all, for Arnold, Hellenism represented the urge to see things as they really are. Hebraism, on the other hand, epitomised morality, energy, persistence, self-control and right conduct: all the essential features underpinning the Victorian middle-class ethic. It could, Arnold proposed, be summed up in the phrase strictness of conscience; its counterpart, Hellenism, was spontaneity of consciousness. Both were pathways followed by men in the search to make reason and the will of God prevail46 yet neither, of itself, offered a sure and certain passage to perfection. The imperfection of Hellenism lay in its lack of moral fibre; that of Hebraism, in its overweening preoccupation with sin and its excessive reliance (in Protestantism) upon the authority of the Word:
Both elements, therefore, required to co-exist within the human spirit and to form therein a harmonious balance; for each constituted a necessary check upon the potential excesses of its counterpart (much as Walter Bagehot had defined48 the supposed political checks and balances of Victorian democracy). Sadly, individuals and religious organisations were habitually in a state of disequilibrium: They have made the secondary the principal at the wrong moment, and the principal they have at the wrong moment treated as secondary.49 Such individuals or groups held firmly to the delusional belief that they alone knew the one thing needful.50 For the Hebraists within the nation, that conviction took the form of an unshakable but uncritical and ultimately stultifying reliance upon the Bible as law:
What Arnold described as this fatal notion this cherished belief in the Bible as both sacrosanct and as pre-eminently the sole and sufficient guide to living for all unreconstructed Hebraists was indeed to prove the rock upon which Robertson Smith was to founder so dramatically within the space of a few years after the publication of Culture and Anarchy. As a theoretical construct designed to illustrate the tragic imbalances within the social, cultural and religious structures of Victorian Britain, Arnolds metaphor was a powerful, persuasive and influential tool; as a scientific hypothesis, it was naturally quite incapable of empirical demonstration. Worse still, its polar eponyms, Hebraism and Hellenism, carried potentially dangerous connotations, capable of dividing rather than unifying a nation. For all his ostensible even-handedness, Matthew Arnolds true sympathies lay with Hellenism as the road to perfection; and when his guard slips and the metaphor becomes concretized, he reveals the true extent of his prejudices:
Yet, to do justice to Arnold, such prejudices were the common currency of his day; to use one of his favourite terms, they were integral to the Victorian Zeitgeist, and they do not invalidate the force of his argument for the establishment of a better balance of right thinking and strong doing.53 The Nonconformist churches, Scottish, Irish and English alike, were preoccupied, as Arnold rightly saw it, with achieving their own narrow practical ends voluntaryism, disestablishment and a sterile separation from the world when they ought rather to be employed in clearing their minds, in encouraging the free play of consciousness and in pursuing sweetness and light.54 In 1869, Robertson Smith was of course completely unknown beyond the narrow confines of Edinburgh and Aberdeen; but even when his work began to come to Arnolds notice through his part in the Revised Version of the Old Testament, Smith would still have been stigmatised by the former as provincial. In his preface to Culture and Anarchy, Arnold made the sweeping assertion that, within the field of theology, men of mark were produced only within an Establishment:
Without the humanising, moderating and leavening influence of such a social and cultural link, and without consequent access to the best that is thought and known in the world, a man of potential genius could not fully develop, zealously and perpetually preoccupied as he was bound to be with the defence of his sectarian idiosyncrasies, to the expense of self-cultivation. Moreover:
Applied to the case of William Robertson Smith, Arnolds seemingly rash generalisation proves to be astonishingly percipient. Unquestionably, Smith faced enormous obstacles in breaking through the bounds set by the conditions of his background and upbringing; and it was only in consequence of events, some entirely fortuitous and others set in train by his own ambitious, driving temperament, which enabled him to forge those wider contacts with a world that lay beyond the Free Church and which eventually allowed him (in Arnolds words) to develop his totality. Edinburgh, and more especially the link forged with Tait and the scientific world, began the process of intellectual liberation; his appointment to the Revision Committee of the Old Testament in 1874 was to be yet a further step along the way; but it was, above all, his involvement with the Encyclopaedia Britannica which brought him into contact with the best that is known and thought in the world. There is no evidence that Arnold and Smith ever met one another, though it is almost certain that they corresponded in 1885-86 over the matter of Arnolds article on Sainte-Beuve for EB9.56 However, Smiths involvement with the Old Testament revisers was well-known to Arnold, who had begun work in 1871 or earlier57 on a version for schoolchildren of Isaiah 40-65. He continued to work on Isaiah until 1883, when (as if pre-empting the Revisers) he published a complete version of the Book of Isaiah.58 The Introductions to both books present a fascinating discussion of those dangers and difficulties of biblical translation, from which Arnold was naturally no more exempt than anyone else. In the earlier publication he is critical of T.K. Cheynes prosaic version, published the preceding year;59 in the later, he refers only slightly less critically to Robertsons Smiths style of translation, as instanced by the comment:
Arnolds point that perfection in translation is unattainable but that beauty of expression and spiritual refreshment should never be sacrificed to technical accuracy is important but in this context is less significant than the indication that Robertson Smiths name was, by 1883, becoming very familiar to the educated Victorian in scholarly circles south of the Border. ColensoMatthew Arnolds genuine admiration for the moral fruits of Christianity, for the precious heritage of the Bible and for the importance of the religious sentiment itself, lasted throughout his life, as did his desire to effect a reconciliation of religion, science and humanist culture. At the same time, his searching critical approach to Christianity, together with his own fundamental doubt, resulted in an ambivalence which could prove deeply paradoxical and perplexing to his readers. It also led to a degree of inconsistency, well illustrated in his scathing onslaught on Bishop Colenso in his 1863 paper, The Bishop and the Philosopher, shortly after the publication in October, 1862, of the first part of Colensos mammoth work on The Pentateuch and the Book of Joshua Critically Examined. Yet, ten years later, Arnold was to write, in God and the Bible:61
That could be construed as a favourable augury for Robertson Smith, and indeed for the future of biblical criticism generally; but it was belated comfort for John William Colenso, who had undergone the traumas of ecclesiastical vituperation, the withdrawal of financial support from his funding body (the S.P.G.) and a subsequent trial in South Africa, leading to deposition from his bishopric. In his original attack on Colenso, Arnold had employed all his powerfully satirical skills to ridicule this mere writer of arithmetical textbooks for daring to thrust upon the public such a naive, narrow and hopelessly inadequate essay in biblical criticism. Colensos book, wrote Arnold, was nothing more than a series of problems in this his favourite subject, the solution to each of which is to be the reductio ad absurdum of that Book of the Pentateuch which supplied its terms.63 Colenso had produced an avalanche of rule-of-three sums but no answers:
For Arnold, the fundamental and fatal weakness of Colensos work was that it failed either to edify the unlearned or to inform the educated. Those were, for Arnold, the literary criteria by which any published work of this nature required to be judged and Colenso failed miserably on both counts:
By the same criteria, according to Arnold, Essays and Reviews also failed, though he acquits both Mark Pattison and Benjamin Jowett: the formers essay did possess both literary and informative merit, while Jowett, though he provided neither milk for babes nor strong meat for men at least wrote with unction For a court of literature, it is enough that the somewhat pale stream of Mr Jowetts speculation is gilded by the heavenly alchemy of this glow.66 The charge of naivety was one that was also to be levelled at Robertson Smith, and in either case there is some legitimacy in the accusation.67 Each failed to discern how unready his fellow clerics were for a public exposé of Pentateuchal inconsistencies. Both could be said to have lacked due sensitivity for the prejudices and fears of their colleagues; and neither was inhibited from writing by the prevalent assumption that the free and open discussion of such matters was bound to lead to confusion and alienation from faith amongst the uneducated. But Colensos offence could be regarded in some ways as more heinous than Robertson Smiths: he was an older man whose episcopal position and experience ought to have imparted some soundness and prudence in such matters, yet here was someone whose obsession with the literal arithmetical solecisms in the Pentateuch seemed to betray a cast of mind that was fatuously quibbling and thoroughly jejune;68 a man so ingenuous that he had been deflected from orthodox belief by the questions put to him by a simple-minded member of his black flock.69 The somewhat erroneous impression was thus given that Colenso had given no thought whatsoever to the subject until then. One could never have called Robertson Smiths scholarship into question in this way: only on grounds of teaching ideas of an unsettling tendency was he ultimately to prove vulnerable. Colensos plight led directly to James Anthony Froudes celebrated and penetrating plea for greater tolerance in the matter of theological discussion:70
Froude went on to observe that if scientific laws (some of which appeared contrary to commonsense) were to become required articles of orthodox belief, underpinned by legislation, there would inevitably occur a sceptical reaction which would invite repression by authority. Fortunately such foolishness no longer occurred; but theology presented especial difficulties:
Froude unerringly identified the contemporary ecclesiastical dilemma: theological dogma, for the majority of the orthodox, was sacrosanct and thus incapable of modification. As the repository of divinely revealed truths, the Church could not do otherwise (in public at least) than express its utter certainty and conviction as to their eternal validity and inviolability:
On this basis, both Colenso and the writers of Essays and Reviews had (in clerical eyes) broken faith with the Church to which they owed allegiance; it was quite another matter for lay sceptics like Huxley, Clifford or John Stuart Mill to parade openly their doubts or denials. Yet the enemies refuse to be exorcised and a Colenso coming fresh to the subject, with no more than a years study, throws the Church of England into convulsions.74 Froude well summed up the current perplexities of his day:
Old panaceas, whether of dogma, or of consolation, or of apology, were no longer sufficient; and neither the tentative scepticism of Essays and Reviews nor the idiosyncratic questionings of Colenso were a satisfactory remedy. An open discussion of all the issues, through the modern medium of a free press, was necessary, without the threat of ecclesiastical sanction and without stigmatising honest doubt as sin. Fate, Fate, engagd the strife76Ten years later, Matthew Arnold presented his definitive personal proposals for the reconstruction of Christianity in Literature and Dogma, building upon the foundations he had established so trenchantly in Culture and Anarchy. Justly evaluated today as a pioneer work in the field of religious hermeneutics,77 Literature and Dogma attempted a synthesis of religious and scientific values at a time when all values appeared to be in flux. Vulnerable as he was to charges of aestheticism and reductionism, and attacked alike by agnostic positivists such as Frederic Harrison and conservative writers such as J.C. Shairp (biographer of James Forbes and Professor of Poetry at Oxford from 1877), Arnold nevertheless mounted the most intellectually powerful and spiritually sincere campaign of anyone of that era for the humanistic reconciliation of religion and rationalism. Yet there is a sense in which he attempted, like Saint Paul, to be all things to all men and thus endeared himself to neither side. His intense interest in the moral value of Christianity and his profound admiration for the Bible did not deter him from attempting to demythologize the Christian tradition (as J. C. Livingston notes78) and, in doing so, he fired the wrath of theologians such as Principal Tulloch, who sought to dismiss him as a theological amateur79 one of a class of literary theologians [who] have espoused naturalistic theories as beyond question, and, while wishing to save religion, they enunciate principles subversive of all that has hitherto been supposed essential in religion.80 Tulloch nevertheless took Arnold very seriously as a threat: Literature and Dogma was important because its author was influential, had such facility with apothegm rather than argument, and was so audaciously contemptuous of an obsolescent faith which clung superstitiously to creeds, miracles and the belief in an anthropomorphic or personal deity. In Tullochs eyes, Arnold could satisfy neither scientist nor theologian by his insistence on testing out the accumulated truths of religion through critical assessment or by seeking to challenge the unchallengeable dogmatic core of the Christian faith:
In retrospect, Tulloch seems to have misread the contemporary Zeitgeist badly: Literature and Dogma, with all its literary sophistication and erudition, may be construed as nothing less than a direct anticipation of John Tyndalls appeal, in his Address to the British Association a year later, for the preservation and honouring of that religious sentiment which was both an essential component of human culture and an efflorescence of that self-same spirit of imagination which was essential for the progression of all scientific thought and discovery. Consciously, Robertson Smith would, at that time, have no more accepted Matthew Arnolds argument for liberation from the shackles of dogma than he could tolerate Tyndalls much more brashly expressed materialism. Yet, quite unconsciously, he was moving slowly towards the same conclusions as Arnold. When Tulloch, with heavy irony, identified Arnold with the extreme left of the Leyden School, of which Dr Kuenen is so distinguished an ornament,82 he was to prove more insightful than he could possibly have realised, for it was towards the critical writings of Kuenen, and the other Continental leaders of the new criticism, that Smith was gradually being drawn, initially with obvious distaste but later with increasing admiration and approbation. Arnold and Smith seem at first sight singularly opposed in temperament and background, yet on closer examination it becomes plain that they do possess features in common. Both were sons of progressive, liberal-minded pedagogues who took the deepest interest in their childrens education and whose personal influence had abiding effects upon the ideals and ambitions of their offspring. Both Smith and Arnold were imbued, by upbringing and example, with a deep moral earnestness, coupled with zeal for the highest standards of intellectual scholarship; and both eventually set their sights upon achieving the radical reconstruction of contemporary belief structures which no longer adequately met the needs of educated people within the new scientific era. Both sought to say a new thing to their contemporaries; and both remained unabashed when misunderstood or maligned. There remain, however, obvious and significant differences. Robertson Smith possessed neither the social nor the cultural advantages accorded to Arnold by virtue of his birth and educational milieu; the context of his early life was strikingly narrow and cramping by comparison with Arnolds and it was to prove very difficult indeed for him to escape the constricting bonds of his Free Church nurture. Indeed, it may plausibly be argued that Smith never truly broke free, retaining as he did until his death an unresolved conflict between personal faith and intellectual persuasion. But the same must equally be said of Matthew Arnold, whose poignantly regretful yet stoical abandonment of the traditional anchor-points of faith is masked by that outwardly confident dialectic which Tulloch so deplored. Both Smith and Arnold nevertheless found eventual wholeness after many vicissitudes and the manifest father-son complexes of Sohrab and Rustum, which carry unmistakable theological as well as human overtones, may bear as much relevance for Robertson Smiths story as for Arnolds:
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